Showing posts with label journal. Show all posts
Showing posts with label journal. Show all posts

Friday, January 25, 2008

Garden, Visual Journal and my favourite poet





I've been working further on my large oil painting, but not ready to post further pictures as yet. The weather is great, we've had rain finally and the garden is growing. There is a little garden area in front of the older part of the house (miner's cottage built about a hundred years ago, and the rest of the house was added onto in the sixties and then the seventies). There are five acres behind the house but this little piece, although it's close to the road, has a feeling of seclusion and privacy and wasn't used very much so I decided I wanted a vegetable garden there. Behind the vegetable garden is a very old Rasperry Ice rose that is coming to the end of it's flowering, and behind that again a South African begonia type shrub that has just started.

I was working in a visual diary for another artist and here are some photos of what I've done so far. She asked for words - particularly words that uplift or inspire. The first one is "a journey of a thousand miles starts with one step", and the facing page has imagery from more than 3000 years ago (The White Lady of Aouanrhet). The other was created after reading some of Joseph Campbell's work. He talks about "aum", you might know this as "om", he said "the meaning is wordless". I like that idea, that meaning can be wordless. And there's another quote from Campbell - "words are always qualifications and limitations". On the opposite page there's an image of Buddha in meditation, it's a Tibetan tanka painting about intense contemplation leading one's prana to take shape as radiating ripples of air. I've used art papers, paint and ink with the collaged imagery. I've chosen some images to create the next spread, I'll put up a shot of the finished work when it's done - each artist has completed three in the journal and when I've finished my last spread the journal is returning home to it's owner.

And finally, in this post, I'm going to share some of Hone Tuwhare's poetry. I have several of his books, and been rereading them, and drawing ideas in a journal thinking I might do some paintings about him. The first one is in the book "Ooooooo!!!" published 2005 and, as I've said before, Hone wrote earthy poems.

"If I should die, think nothing (nihil) of it. Happens naturally to all.

To my deaf ear, I raise
the Wrist to which
my watch is strapped
just barely noting
the tiniest intervals
between the tick and
tock of it, inexorably
paging - unemotionally
and without the least
evidence of compassionate
interest the leaching, leaking
moments between your
arrival, and final nod-off
& ... goodbyes - of your
departure time:
One last emptying of the bowel
and piss-bag: tick-tick.
tock, hands off cock -
er ... tick ... tick ... tick.
O'excelsior! Full marks!
Mayhap, your great, great
grandnephews, nieces, will inherit
your wrist-watch
& reclaim, the rhythm
the 4/4 Boogie beat of your heart.
For, on their tiny feet you march."

From "Piggy-back Moon" (published 2002 following Hone's appointment as Te Mata Poet Laureate in 1999).

"For Linda

Well, really,
when I think of your utter
absorption in your work, I am
entranced by the flow of your
silken thighs (the hemline
of your skirt is just fine) -
as you sit down to write out
my prescription for Zestril,
making my heart loop and pump mis-timingly! my
eye-sight, you confirm, is
okay. I pull my sleeve down
and shrug into my jacket.

Nonethelessly,
I think of you warmly, if not
swarmingly - and feeling, like
I am a yellow, zebra-striped
bumble-bee, just thoughtfully
if not diagnostically nosing
the flower-heads of
prim daisies, edging my
lawns, and waking them
newly, to the infectiously
courtly kisses of a leisurely
but discriminatingly (pickie)
nectar-gatherer. I'm heartstruck
with love, Linda. It's my
trade ... "

There are so many poems I'd love to share but I'll just type out one more and hope that people continue to read his writing. He was and is a delight.
From Shape-Shifter published 1997:

"Wry Song

O may the texture
and fissured lines in
stone temper my life-style
to another self, enduring:
less faceless.

For in the tumult of my
separate hells, pummelled
I have been beyond shine or
recognition.


And if I should never know
delight again, or shut my
ears to coarse banalities
of sea and storm

then let my poems rock
to a dark sea's roll:
as the
stricken moon."

Friday, November 09, 2007

Travelling journal




More than a year ago six journals set off travelling around New Zealand to six artists who were to complete a double page spread and send each one on to the next artist. The project turned out to be more of an undertaking than some of us expected, and some journals were lost for a time. Mine arrived home yesterday...what a thrill! One journal is still lost and I hope that it one day returns to it's owner - Amanda.
A group of us worked in a journal for one artist initially, and by the time each of us had created at least two pages of artwork in it, the journal really was a thing of beauty. Some of us enjoyed it so much we decided to repeat the process with each of us having a journal. 2006 was a pretty tough year for some and yet beautiful work was created and I'm sharing pages from my journal here. It will take two postings as blogger only permits 5 pictures per posting. These three are:

1. My own pages that I started the journal with: "Woman under construction is the text in the portrait, around the edge is a quote from Carmen ('Harbanera') which, in English, translates to: Love is a rebellious bird that nobody can tame and it's all in vain to call it if it chooses to refuse. Nothing helps, not threats nor prayers. One man is smooth tongued, another silent and he's the one that I prefer. He says nothing but he pleases me." The printed page is from a very old book ..." Edith opened her window to see if there was any hope in the distance; but the mist was full, and the world ended at the first terrace. She dressed, putting on her oldest skirt, for she knew there would be walking that day, went down shivering as she touched the damp woodwork, looked out of the dining room window. The clump of monk's-hood had not been disturbed; the spikes of bloom nodded reassuringly. It was strange, thought Edith, that so much beauty should arise from the roots of a deadly poison. She was calm and strong again; and as she stood at the window, an idea occurred, she could..."

Make of it what you will!
The orange pages with deadly looking flowers was from Ali:
2. The text reads "but Edith, isn't it odd that so much poison should arise from the root of such beauty. There are layers of art paper beneath paint glazes, and beautifully delicate text among and around the painted flowers and foliage.
The next spread after Ali's is from Denise:

3. Created in, I think, paint, collage, ink and the text reads:
Truth not seen
Truth not spoke
Under roof
Or out
No sweet poison fruit
to living death
condemned
but bitter poison
sprung in
labyrinthe hearts
took as mother's milk
in broken hope
alone
truth not seen
truth not spoke
under roof or out
And the words" Open your Eyes" and "it's just a fairytale".

Monday, September 17, 2007

Anything but the brush...well, almost




I've been playing around with paint in a visual diary (journal...) and using paint roughly, wiping back and through, applying it with alternative tools and few brushes. These are a couple of portraits I've done in the diary.

The blue painting is another exploration of using anything but the brush. I didn't intend to place a figure on the canvas, but it appeared, and I'm happy with it.